Explore literary criticism as it is now and what it may yet become. You will have the opportunity to consider a whole range of major theoretical and philosophical concepts, such as:

• The body
• Race
• Gender
• Violence
• Ecology
• God
• Time
• Death
• War
• Self
• The animal

You will study a range of fascinating modern thinkers, ranging from Marx, Freud and Nietzsche, through to more recent figures such as Simone Weil, Walter Benjamin, Jacques Derrida, Judith Butler, Fred Moten, Cornel West and Sara Ahmed.

Who makes History? What drives them to investigate the past? You’ll meet the women and men who have helped shape the discipline of History, delving into their life and works. How did their experiences and opportunities shape their careers and what questions spurred their curiosity? How did they find the sources they would need, and what methods did they use to analyse them?

In exploring their stories, you’ll ask how the place, time and society in which they lived opened opportunities or created obstacles to their careers, how they collaborated with other scholars or carved roles in learned societies or public debate. And you’ll ask why some historians have been heralded as ‘great’ – their names famous, their books widely read – and why others are consigned to the footnotes of the historical profession, their endeavours in the archives unrecognised. What makes a pioneering historian?

Explore a wide range of literature and drama from the medieval and early modern periods. The module situates medieval and early modern literature in its relevant historical and cultural contexts.

You will develop skills in the close reading of medieval and early modern texts.

Authors studied may include Chaucer, the Gawain poet, Margery Kempe, Mary Wroth, Sir Philip Sidney and Christopher Marlowe.

Exploring the adaption of literature to film and other media, this module focuses on the adaptation of literary texts to such forms as theatre, graphic novel, film, television, song, and game.

You will be invited to reflect on adaptation as a powerful and complex cultural process, one that interprets literature as well as adapts it.

Throughout the module you will normally complete either a critical essay on adaptation OR a creative project (plus short essay) that enables you to produce your own work of adaptation. This may take many forms -- written, (audio) visual, musical, digital, or three-dimensional and/or take the form of a game, production or performance, etc.

Examine some of the ways in which literature has explored and expressed the complexity of belief and doubt, redemption and apocalypse, damnation and revelation. You will consider the ways in which moments, motifs and ideas indebted to the sacred can be found within a wide range of texts.

Although welcoming consideration of all three Abrahamic faiths, we will focus primarily on Christian traditions and texts.

Authors studied may include:

• Julian of Norwich
• Gerard Manley Hopkins
• Oscar Wilde
• G. K. Chesterton
• James Baldwin
• Margaret Atwood
• Toni Morrison

Discover how wars are among the most important drivers of historical change. They have transformed states, societies, borders and landscapes, as well as ideas, identities, and worldviews.

The decision to go to war is rarely taken lightly, but the mechanisms and norms for doing so have varied greatly over time. How peoples mobilize themselves for conflict has likewise been shaped by ideas about rights, responsibilities, and roles, ideas sometimes rooted in shifting concepts of gender and racial ideologies.

War is also a crucible of scientific and technological change. From the longbow to the machine gun, and from photography and reconstructive surgery to the atomic bomb, war has stimulated scientific and technological innovation while unleashing its most destructive forces.

By exploring war and its legacies in all its complexities, you’ll see it not as a unique form of human endeavour, but as a realisation of broader social, cultural, and intellectual forces.

Explore the links between humans and their environments around the world from the medieval period to the modern era. Examine how people have understood nature and their place within it over time and across cultures, investigating climate change, environmental disasters and massive landscape transformations.

You’ll situate the natural world as both an agent of change and a system that humans can alter on many scales, developing skills in navigating complex human-environment interactions. You will encounter a range of sources, from texts to images and environmental data, and learn how to analyse them, including through digital methods.

With these skills, you’ll explore regional case studies of environmental impacts on humans and human alterations of the environment, from the impact of warming periods and the Little Ice Age to the transformation of colonial landscapes, the exploitation of forests, minerals, and water and the effects of urbanization.

What we call ‘American Literature’ and how we define America and ‘the American experience’ depends on who is writing and to whom. In this module you will encounter many different voices, many conflicting and contrasting views, a diversity of complex experience and a great range of writing in form and style.

You will explore such questions as: What role do different literary forms play in narrating the self? How does American writing seek to establish a new way of looking at the world? And how and why does literature help shape forms of protest and new critiques of modernity?

The years of Queen Victoria’s reign (1837-1901) saw great social, political and cultural transformation. Changing social conditions, extraordinary scientific breakthroughs and the emergence of new technologies all altered the ways in which Victorians thought about themselves and their environment. The literature of the period responded resourcefully to the turbulent circumstances from which it emerged.

In this module, you will examine a wide range of Victorian writing, including novels, short fiction, poetry, drama and non-fictional prose and will explore and interrogate all the complexities of the Victorian age.

Explore the two things that make us human – body and mind. Historians once regarded mind and body as the same across time and place. But more recently, historians have challenged this assumption, showing that changing societies have led people to experience mind and body in radically different ways.

You will explore patterns of continuity and change from the medieval to modern periods by investigating key themes such as:

• How ideas about mind and body have impacted gender, race and social class
• Violence and injury
• Sexuality and gender identity
• Changing experiences of disability and transformations in attitudes to healthcare

You’ll build the skills to historicise mind and body through innovative methodologies such as:

• Disability studies
• Histories of health and medical humanities
• Gender and sexuality studies
• Histories of clothing and bodily adornment
• Interdisciplinary approaches including osteoarchaeology
• Recent developments in material culture
• The study of lived experience

What does it mean to die? Is it frightening? Will I see those I love again? What does it mean to kill, whether an enemy, a friend, or myself? Death is a universal human experience but, as you’ll discover, how we confront it has varied across history.You’ll explore varied experiences of death, from end-of-life care to execution, and from battlefields to pandemics.

Religion can shape beliefs and customs, from the theology of the afterlife to funerary rituals and the treatment of the corpse. Yet at the margins have always lain a shadowy world, where the restless dead return, the living seek to summon the departed, and the despairing take their lives.

You’ll discover the different means of investigating death, from the chronicles that describe the walking dead, to the archaeology of burial practice, and from murder trials to palaeogenetics, unlocking the passage of disease.

Reflect on what it means to do criticism in a post-theoretical age. This module asks what happens to literary interpretation after all its many theoretical upheavals – from Marxism and feminism to postcolonialism and queer theory. Is it time to get back to the close reading of literature? Is there still room for pleasure, appreciation and creativity in the practice of criticism? We might question whether literature, in the traditional sense, even exists anymore.

You will pose these questions in relation to a range of traditional and non-traditional texts.

How do people share ideas? Who controls information? What technologies make communication around the world possible? From medieval to modern history, knowledge and ideas have been written, printed, hidden, copied, gossiped about, archived, and destroyed.

You’ll examine cultures of information and misinformation around the world. Circuits of information have been cultivated in state and religious institutions, social networks, mass media, and, more recently, the internet. From espionage to scandals and fake news, you’ll ask who is shaping information, with what tools or media, and with what political, ethical, social, and economic motivations and consequences.

You’ll study how ideas are transmitted, for example in songs, slave networks, books, laws, maps, advertisements, newspapers, and letters. You’ll build critical skills in assessing provenance and context of information, past and present, preserved and lost, digital and analogue, true and false.

You are invited to collaborate in an interdisciplinary team with other students as you explore major global challenges such as climate change, inequality or emerging technologies.

Throughout the module you will examine how the humanities, arts and social sciences contribute to understanding and addressing complex issues. Classroom discussions and activities focus on the process of identifying problems and considering innovative, ethical responses, while helping you to consider and articulate the relevance of this work to your personal and professional development.

Explore how ideas can be developed into real-world projects with lasting value. Through hands-on collaboration and problem-solving, you will develop innovative projects, learn how to bring ideas to life and explore ways to sustain them.

Whether you are working in a team or individually, you will be encouraged to experiment with different approaches to making a difference in artistic, cultural, social and community spaces.

In your third year you will study at one of our international partner universities. This will help you to expand your global outlook and professional network, as well as developing your cultural and personal skills. It is also an opportunity to gain a different perspective on your subject through studying it in another country.

You will choose specialist modules relating to your degree and potentially modules from other subjects offered by the host university that are specific to that university and country.

The availability of places at overseas partners varies each year. In previous years destinations for students in the Faculty of Humanities, Arts and Social Sciences have included Australia, USA, Canada, Europe and Asia.

Why does History matter? What does it contribute to our world? Challenge yourself to consider how our discipline is applied.

Beyond working in universities, historians are active in public debate and influence the policies of institutions and governments on matters from the memorialisation of historic figures and institutional links with the Transatlantic Slave Trade to geopolitical threats to UK security. They collaborate with museums, helping visitors engage with material remains of the past, and write books for a wide public readership.

You’ll develop a critical awareness of your discipline and gain confidence in articulating its significance in our world. You’ll also contend with the subjective use of History: how political leaders have co-opted stories of the past to justify war and conquest, and ideologically driven groups claim historical legitimacy. What role should historians play in shaping how our understanding of the past influences the present?

What is the contemporary? When did the present cultural moment start and how might it end. How do?writers?respond to the challenge, excitement,?pressure?and novelty of the ‘now’??And how is imaginative writing faring in the digital age?

You will consider these questions in relation to the work of such major authors as Ali Smith, Kazuo?Ishiguro?and Colson Whitehead.

Study key texts and contexts from a short but remarkably intense period of literary history. Encompassing the work of writers such as Wordsworth, Blake, Keats and Shelley, you will explore the role of nature, the imagination and the sublime. You will also consider the emergence of the Gothic tradition and examine the interactions between literary and politics in a turbulent era of revolution and change.

Examining a wide range of texts and authors from early periods to the age of the climate crisis, this module will explore the many and various ways in which the non-human world is celebrated, championed and exploited by the literary imagination.

You will explore questions such as:

• What do we mean by the ‘the environment’?
• What experiences, meanings and values do we take from, or discover in our surroundings?
• How have writers characterised the environment and in what ways might the literary imagination be significant for contemporary environmental concerns?

What is critical theory? Why is it one of the most controversial areas of contemporary culture today? And to what extent do theoretical ideas about power, race, gender and identity change the way we think about the world?

On this module you will explore a range of classic and contemporary themes, trends and topics in critical theory from the 1960s to the present. You’ll take a deep dive into key thinkers like Foucault, Deleuze and Agamben and key concepts like biopolitics, globalisation and animal studies.

The thirteenth century brought rebellion against a tyrant, then a revolution: a party seized power from the king to govern England. This period is hailed as the foundation of democracy – but the reality is darker. Religious leaders were empowered to punish kings, rebels fought as crusaders, and people killed and died for a political cause.

You’ll explore events including the making of Magna Carta, the 1258 coup, and the Battle of Evesham that ended England's First Revolution. You’ll meet queens like Eleanor of Provence, leading knight William Marshal, and Pope Innocent III; tyrannical and hapless kings; Simon de Montfort, the revolution's leader; and the low-born people who flocked to his banner.

You’ll investigate their stories through letters, testimonies, and eye-witness accounts, and challenge historical interpretations of this era. What moves women and men, poor and rich, to risk their livelihoods, take life and give their own to decide who rules?

Today the claim that God designed everything in the universe has given way to the theory of evolution. The usual story of this change is one of conflict between science and religion. But we will challenge the popular narrative.

You will reconsider the rise and fall of the idea that nature was the work of a divine designer, focusing on the period 1450-1800. As well as trying to understand why the design argument became so important in the early modern period, you will seek to understand why it fell out of favour during the 18th century - long before the theory of evolution. But you will not simply be studying the history of ideas. To understand how early modern science changed, you will study a wide range of practices - from intellectual disciplines like philosophy, rhetoric and theology, to material practices including chemistry, architectural design, archaeology, and art.

The English East India Company (founded 1600) was the most famous corporation in world history: its business connecting the British Isles across the Atlantic, Indian, and Pacific Oceans. It was a protagonist of globalisation.

In this module you’ll discover how historians have debated what the Company represented. It did much to stimulate global trade, but was it a private business in the modern sense? It ruled British territory on behalf of the British state, but was it a state in its own right?

You will gain a broad and systematic understanding of seventeenth-, eighteenth-, and nineteenth-century British, Indian, and global history; and develop expertise in and experience of deploying established techniques of analysis: from cultural, art, political, parliamentary, global, economic, constitutional, gender, and business history. Making use of primary and secondary sources, you will be challenged to digest and critique the latest research in this area.

Examine how cogent issues in crime, justice and punishment have been treated historically from the eighteenth century. Taking advantage of online historical datasets, including Digital Panopticon and Old Bailey Online, you will be introduced to the vast range of historic criminal justice records.

On the module, the classroom becomes the archive. You’ll get hands on with primary sources evidencing the social and cultural history of modern Britain, and act as Digital Detectives to gather evidence to unlock the world of Victorian crime and punishment.

By using digital approaches to this evidence, you will be able to navigate a history from below and explore the impact of crime and injustice on diverse social groups including women, the working classes, migrants and youth. You’ll explore historical experiences of crime, justice and punishment both at scale and at the level of the individual in its fullest evidential context.

Explore the history of South Asia from the abolition of sati to the death of India’s first Prime Minister, Jawaharlal Nehru. You will consider the social, cultural and political histories through which the idea of India was expressed and contested.

You will examine the debates and rebellions through which the European colonial project was resisted and South Asian identities were expressed and cohered. You’ll begin by considering how, in the nineteenth century, the translations, interpretations and classifications of subcontinental history, society and language were created.

How were ideas of identity, community and freedom formed in response to and against the incursion of European power in the region? Subsequently, how did the idea of the nation coalesce into something beyond Empire to create not one, but two nations: India and Pakistan?

With the blurring of the Home and Battle Fronts in Britain in the Second World War, the conventional wartime gender contract — in which men fight to protect the vulnerable at home and women keep the home fires burning — was challenged. In this module you will examine how war was experienced by those who conformed to and those who challenged gender norms, by those included in the war effort and those who stood outside it.

You’ll consider different categorisations of experience (military/civilian; home front/ battle front; male/female) and how historians have grappled with key concepts including the People’s War and hierarchies of service. Through a wide range of primary sources, including autobiographical materials, poems, photographs, films, parliamentary minutes, newspapers, posters and cartoons, you will seek to understand individual and collective experiences of the war and their gendered dimensions.

Soviet history is often told through the prism of totalitarian oppression, but beneath layers of state control a vibrant dissident movement was active. In this module, you will explore the breadth, depth and complexity of the Soviet dissident movement and critically analyse the impact that they had on the wider world.

You will explore the nature of political life in the Soviet Union, ranging from the labour camps under Joseph Stalin, to the use and abuse of psychiatry under Nikita Khrushchev and the silencing of dissidents under Leonid Brezhnev. You’ll also consider the role dissidents played in the collapse of the Soviet regime and the position of dissidents in contemporary Russia.

By focusing on political dissidents in the Soviet system, you will critically assess how totalitarian governments function, how opposition movements operate and how the international community responds to this persecution.

The final-year Dissertation is your opportunity to devise, research and explore a topic of your own choice through a programme of directed independent study. You will be helped to begin your thinking at the end of your second year and then, through your final year, you will develop your research, thinking and writing, as you build toward a substantial, self-directed project.

Almost anything is possible; for example, you could choose to explore famous literary names or themes, or research obscure figures and unusual topics. You might draw on the University Library’s special collections, or venture way beyond Lancaster to develop your research. Perhaps you will be inspired by the medievalism of historic Lancaster or the Romanticism of nearby Lake District or be drawn to the far textual shores of the digital world.

You can focus your work towards a professional career or build towards postgraduate study at master’s level. Finally, you can opt to write in classic literary critical styles or push the boundaries of literary study in new and startling ways.

Study the work of four giants of nineteenth-century British fiction: Jane Austen, Anne Brontë, Charlotte Brontë and Emily Brontë.

Focusing on questions of class, gender, power, environment and artistic technique, you will explore the tensions between Austen and the Brontes (south vs north, Regency vs Victorian, realism vs Gothic) and trace the imaginative continuities between them.

Both the Gothic and science fiction emerged in response to the 18th century ‘age of reason’ and the Western world’s investment in logic and progress. The Gothic explores the terrors of the past and its return while science fiction imagines alternative futures; in doing so, both voice the concerns of the present.

You will study both classic literary texts and contemporary film and other media. Exploring what the Gothic and science fiction each do, rather than what they each are, you will consider how these genres address some of the most pressing questions facing contemporary Western culture.

Ben Jonson claimed of Shakespeare ‘he was not of an age but for all time.’ This module, however, examines Shakespearean drama and poetry in its own time and as a platform in which early modern debates about agency and government, family and national identity, were put into play. The stage was and is a place in which questions of gender, class and race, gain immediacy through the bodies and voices of actors.

By examining texts from across Shakespeare’s career, you will explore their power to shape thoughts and feelings in both their own age and in ours. You will consider how, in the past and in the present, Shakespeare’s texts exploit the emotional and political possibilities of poetry and drama.

The assessment of this module normally concludes with either an essay OR a creative engagement (e.g. reading, performance, artwork) plus critical reflection.

The early 20th century explosion of literary experimentation known as Modernism was a movement informed by the catastrophe of the First World War, the convulsion that was the Russian Revolution and a host of dramatic developments in art, music, cinema, philosophy, theology, politics and science.

Alongside reading the literature of the time you will also consider various related artistic movements such as Dadaism, Surrealism and Vorticism. Authors covered typically include T. S. Eliot, Virginia Woolf, Jean Rhys and W. B. Yeats.